Babylon A.D. Movie Review!

Babylon A.D.

(France)

By JORDAN MINTZER

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Vin Diesel is a gun for hire in a war-torn future dystopia in 20th Century Fox's sci-fi actioner 'Babylon A.D.'

A 20th Century Fox (in U.S.)/StudioCanal (in France) release of a Babylon A.D. SAS, Babylon Films, StudioCanal, M6 Films production, with participation of M6, Canal Plus, CineCinema. Produced by Ilan Goldman. Directed by Mathieu Kassovitz. Screenplay, Kassovitz, Eric Besnard, based on the novel "Babylon Babies" by Maurice G. Dantec.

Toorop - Vin Diesel
Aurora - Melanie Thierry
Sister Rebecca - Michelle Yeoh
Darquandier - Lambert Wilson
Finn - Mark Strong
Killa - Jerome Le Banner
Neolite Priestess - Charlotte Rampling
Gorsky - Gerard Depardieu

Looking less like he's trying to save the planet than like he's fighting off a really bad hangover, Vin Diesel punches, shoots but ultimately dozes his way through the sloppy sci-fi actioner "Babylon A.D." A noisier, costlier version of "Children of Men," yet lacking that film's social-political significance and jaw-dropping direction, scribe-helmer Mathieu Kassovitz's heftiest production to date may also be his least successful effort to breach Hollywood's walls as a high-budget filmmaker. Released in France before it opens Aug. 29 Stateside in a version trimmed by about 10 minutes, "Babylon" will require plenty of prayers to reach B.O. paradise.

Adapted from French writer Maurice G. Dantec's 700-plus-page "Babylon Babies," pic strips the book of its weightier material -- which includes an analysis of post-Soviet conflict strategy and a philosophical take on cybernetic bio-engineering -- and leaves only the threadbare plot.

After a (literally) eye-catching sequence that shows early signs of the CGI action to come, pic flashes back a week earlier to war-rattled "New Serbia," where gun-for-hire Toorop (Diesel) sits out the fighting in a boarded-up apartment. Dressed like a frat boy heading for an early morning class and showing just as much conviction, he barely reacts when a SWAT team busts in to bring him to Gorsky (Gerard Depardieu, sporting an unnecessary prosthetic nose), a Russian mafioso offering a sizeable payoff if Toorop delivers a special package to New York.

The package in question is a mysterious blonde nymph, Aurora (Melanie Thierry), who's been hidden away in a convent under the protection of Sister Rebecca (Michelle Yeoh). Instead of inquiring why Aurora is worth the hefty price of border smuggling, Toorop shrugs off any serious questioning, unsuccessfully tries to light a cigarette (a gag repeated throughout), and the three set off.

First destination is a train station in Kazakhstan, which occasions one of the pic's more convincing set pieces when a bomb detonates. A second stop at a Vladivostok nightclub (whose featured entertainment is Ultimate Fighting Championship-style death matches) introduces Toorop's war buddy Finn (Mark Strong) to the team, and the four barely escape a run-in with some jumpy henchman.

Lengthy middle action sequence has them crossing the Bering Strait on snowmobiles (actually shot in Sweden), and here Kassovitz revisits the kinds of snow-filled scenes that marked his French suspenser "The Crimson Rivers." Yet as with most of this pic's fighting and effects, the reliance on extreme closeups, frenzied handheld camerawork and rapid editing leaves little room to enjoy the breathtaking views, let alone fully grasp Toorop's heroic abilities.

When they finally reach New York -- which, in this futuristic version, has a few more skyscrapers and a lot more electronic billboards -- they prepare to hand Aurora over to the pale Neolite Priestess (Charlotte Rampling, convincing but short-lived), who heads up the powerful sect/corporation that commanded the transaction. But, as previewed by the pic's initial flash-forward, the exchange does not go according to plan.

Comparisons to "The Fifth Element" -- another French-produced and -helmed blockbuster featuring a bankable Hollywood actor -- are likely, and both films suffer from the same lightweight characterization and misfired attempts to render a future society both credible and meaningful.

Whereas Kassovitz's earlier features, from his breakout "La Haine" to his last U.S. effort, "Gothika," revealed a strong sense of style and directorial wit, such qualities seem absent from "Babylon A.D.," which takes itself far too seriously yet fails to deliver its muddled message.

Fans of "Pitch Black" hoping Diesel would reprise the stone-faced Richard Riddick role here will be disappointed, and he seems to be half-smirking through much of the film's risible dialogue (co-written by Gallic scriber Eric Besnard). Yeoh and promising young thesp Thierry manage to extract a few bits of emotion, mostly when they're not talking.

While the novel is set in 2013, the film does not specify its time period, although the production design by Sonja Klaus and Paul Cross feels "near-future." Darkish lensing by longtime Luc Besson collaborator Thierry Arbogast befits the film's somber tone, but doesn't make the action, which includes stunts by parkour founder David Belle, easy to follow. For all its continent-hopping, pic was largely shot at Prague's Barrandov Studio.

Print viewed in Paris ran 100 minutes, while U.S. version purportedly runs 90 minutes.

More than one option

• (Co) Canal Plus
  Filmography, Year, Role
• (Co) StudioCanal

More than one option

• (Person) Gerard Depardieu
• (Person) gerard depardieu

More than one option

• (Film) Babylon
  Brinsley Forde, Franco Rosso
• (Film) Babylon
  Bill Sage, Guido Chiesa
• (Tv) Hollywood Confidential

More than one option

• (Person) Paul Cross
• (Person) Paul Crosseriol

More than one option

• (Person) David Belle
  Cinematographer, Director, Production Assistant
• (Person) David Belle
  Actor, Stunt Player

Camera (color, Panavision widescreen), Thierry Arbogast; editor, Benjamin Weill; music, Atli Orvarsson; production designers, Sonja Klaus, Paul Cross; supervising art director, John King; set decorators, Francesca Cross, Michel Pages; costume designers, Chattoune, Fab; sound (Dolby Digital/DTS Digital), John Rodda; sound designer, Nicolas Becker; supervising sound editor, Ken Yasumoto; re-recording mixers, Yasumoto, Francois-Joseph Hors; visual effects supervisor, Stephane Ceretti; visual effects, Buf Compagnie; stunt coordinator, Bob Brown; fight choreographer, Alain Figlarz; associate producer, Benoit Jaubert; assistant directors, Charlie Watson, Kieron Phipps; casting, Jina Jay. Reviewed at UGC Cine Cite Les Halles 6, Paris, Aug 20, 2008. MPAA Rating: PG-13. Running time: 100 MIN.

With: Joel Kirby, Souleymane Dicko, David Belle, Radek Bruna, Jan Unger, Abraham Belaga, Gary Cowan, David Gasman, Lemmy Constantine.
(English dialogue)

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New in the Theaters for 8/29/2008

Disaster Movie- Over the course of one evening, an unsuspecting group of twenty-somethings find themselves bombarded by a series of natural disasters and catastrophic events.













Babylon A.D.- Veteran-turned-mercenary Thoorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.













Hamlet 2- In this irreverent comedy, a failed actor-turned-worse-high-school-drama-teacher rallies his Tucson, AZ students as he conceives and stages politically incorrect musical sequel to Shakespeare's Hamlet.
















Traitor- A special operative working with a terrorist group becomes the target of the CIA.

College- A wild weekend is in store for three high school seniors who visit a local college campus as prospective freshmen.

Box Office Numbers for the weekend of August 22nd 2008!

1) Tropic Thunder- $16 Million

2) House Bunny- $15 Million

3) Death Race- $12 Million

4) The Dark Knight- $10 Million

5) Star Wars: The Clone Wars- $6 Million

Just Missed- Pineapple Express- $5 Million

New DVD Releases for 8/18

Prom Night- Donna's senior prom is supposed to be the best night of her life, though a sadistic killer from her past has different plans for her and her friends.














Hannah Montana/Miley Cyrus: Best of Both World's- A 3-D concert film of the 2007 Hannah Montana/Miley Cyrus tour.

Death Race review!

Posted by Todd Brown at 11:24am.

Posted in Film & DVD Reviews , Cult, Action, USA & Canada.

Ladies and gentlemen, the race is over. The competition is won. The arrival of Paul W.S. Anderson’s Death Race - even though it comes so very early in the year - has put a conclusive end to the race for the 2008 Razzie Awards. Worst film? Worst director? Worst screenplay? Worst actress? Not only will Death Race take all of these categories but the competition won’t even be close. There is quite simply no chance whatsoever that any other film will arrive on the scene to rival this - the latest in a long, ling line of very, very bad films from Anderson - for if anyone should even attempt to create another film at this level of ineptitude within the rest of the calendar year I have no doubt that the universe would spontaneously implode in protest of having to play host to such an indignity. This, people, is a Very Bad Film.

On the surface, a remake of the Roger Corman-produced cult flick would seem apropos, even timely right now. Death Race is a title primed to both exploit and comment upon the current craze for ‘extreme’ - read, ‘hyper violent’ - sport and the society that consumes it but there is neither the will nor the brain at work here to offer any sort of commentary whatsoever, nor the skill to properly exploit it. What do we have? Jason Statham is Jensen Aimes, a near future steel worker and former race car driver thrown out of work when the mill he works at shuts down, leaving him unable to provide for his wife and infant daughter. It’s not like he has long to worry about that, though, because the very same day Aimes is thrown out of work masked men invade his home, kill his wife, and leave Aimes unconscious with a bloody knife in his hand. Six months later he has a life term in prison.

But prisons are different in the future. They have become privately run, for-profit organizations. Rehabilitation? What’s that? The prisoners are fodder for extreme sports, corpses-in-waiting destined to battle it out for massive pay-per-view online audiences with potential release dangled in front of their eyes as a prize should they succeed multiple times in the gladiatorial combats. And the most successful of these games, the highest rated sport, is the Death Race - a three day, multi stage race run by prisoners in cars heavily modified to include steel armor and heavy weaponry. Hmm ... new guy in prison happnes to be a driver, and the next Death Race is just days away, there couldn’t be a conspiracy at play here, could there? Of course there is! The prison warden orchestrated the killing of Aimes’ wife and his subsequent conviction, needing him to replace Frankenstein, a popular masked driver killed (though nobody knows that) in the last race. Bloodshed ensues.

For a brief, shining moment I actually though Death Race may end up being a servicable B-flick on the strength of it’s cast - arguably the best Anderson has ever had to work with. Sure, Statham aint a great actor, and he never has been, but he’s a charismatic guy, easily able to chew his way through this stuff. Throw the dependable Joan Allen and brilliant Deadwood baddie Ian McShane into the key support roles and this could actually work, right? Oh, hell no. The film fails on so many levels it’s hard to keep count.

The blame, first of all, should rest at the feet of Paul W.S. Anderson. His direction is horrible, with the exception of a couple of admittedly stellar shots the car race scenes are actually kind of cluttered and boring, several normally solid bit players turn in career worst performances and the Anderson-written script is laughably, horribly bad. We like to joke about plot holes big enough to drive a truck through but this film has plot holes that people LITERALLY drive actual trucks through with nobody so much as batting an eyelash. And the dialog ... oh, the dialog ... but more on that later ... Anderson wears a LOT of hats on this film and, without belaboring the point, it is very safe to say that the work he turns in for every single role he is supposed to fill is appallingly below standard.

The blame, second of all, should rest at the feet of the cast. Not Statham so much - he’ll brush this one off easily enough - or McShane, who is absolutely the only performer to rise above the level of the script he’s given to turn in something approaching a compelling performance, but all the rest are horrible. Tyrese Gibson hits an all time low as the primary on-track villain. Natalie Martinez as Statham’s navigator / love interest? Utterly abysmal every time she opens her mouth, but honestly she was cast for her cleavage not her ability to deliver a line and the cleavage is just fine, thanks, so it’s hard to fault her too much. But Joan Allen? Oh, Joan, what were you thinking? Did you not read the script when they sent it to you? When we get to hear Morgan Freeman cuss in Wanted it ends up being a high point of the film because Freeman so clearly is having a blast playing so far against type, he delivers the line so incredibly well, and it fits within the world Wanted has created. But when Allen cautions Statham, “Fuck with me and we’ll find out who shits on the sidewalk.” the response is just, WHAT? What the hell? What does that even MEAN? Never mind that the delivery’s clumsy, that’s just NONSENSE! And nonsense is never, ever bad-ass. Oh, Joan, I know I can’t blame you for writing it, but you agreed to say it and you really, really should have known better.

So, the film’s horrible. That leaves the question of whether this is a so-bad-its-good sort of film. Well, once the first openly mocking laugh burst out about half way through the screening I attended the crowd loosened up noticeably and got into the jeering spirit. Did we have a good time? Yes, yes we did. But, importantly, none of us had paid to be there. And, honestly, I can’t imagine any paying, sober audience being happy about having to sit through this.

1) Tropic Thunder- $26 million

2) The Dark Knight- $16.8 million

3) Star Wars: The Clone Wars- $15.5 million

4) Mirrors- $11 million

5) Pineapple Express- $10 million

Just missed- The Mummy: Tomb of the Dragon Emperor- $8.6 million

Star Wars: The Clone Wars review!

Does the new animated movie bring justice to one of the best series of films of all time?

I'll say this before I begin...I'm a FAN of the Star Wars franchise...not a FAN BOY of them by any means. I'll be the first person (among many, I'm sure) to tell you that the Phantom Menace completely sucked, I'm talking probably as bad as Spider Man 3 sucked. So this review is not biased at all, nor will I attempt to promote the movie because of my fan-ism.

Star Wars: The Clone Wars is not must see material by any means and is probably only reserved for the hardest of die hard fans. The movie didn't even start out with the usual "Star Wars" theme and scrolling dialogue, which was pretty disappointing...but it makes sense because Warner Bros. instead of 20th Century Fox, produced the film.

The film is not all bad, it just lacks material that makes a movie a "Star Wars" movie. There are no really great lightsaber battles, no amazement that anything can pop off at any given moment like the previous 6 films...if you're like me and don't count the Phantom Menace into the trilogies...previous 5 movies had going for them.

I blame George Lucas mainly for this lack of material problem he put himself in...there is a bunch of space between "Revenge of the Sith" and "A New Hope" that he could have created a new epic (an animated epic, but an epic no less), but he came out flat. The animated series (short lived) the Clone Wars was done brilliantly following "The Clone Wars" live action movie and bringing it up to the very beginning of "Revenge of the Sith". They really try to cover a new story in this chapter with this movie but fail in doing so as the movie pretty much clashes with the animated TV show that was on for a brief bit...but mind you, 75% of the Star Wars fan base probably never saw an episode of the TV series so Lucas gets a mulligan for trying to hash out the same story line as before. He tried to pull a fast one and probably succeeded.

So right off the bat we know that nothing bad can happen to Obi-Wan (played by, James Arnold Taylor) or Anakin Skywalker/Darth Vader (Matt Latner).

This animated feature is done in almost complete cartoonish-computer animation (which gives it the made for TV feel). The writers also try to strike gold by giving Anakin an apprentice, Ahsoka Tano (Ashley Eckstein), whose attitude and respect...or lack there of...make her feel like she should be on the Mellinium Falcon with Solo than apart of Jedi.

Anakin and Ahsoka are set off on an official outing to find the missing/kidnapped son of Jabba the Hutt. If they do not find Hutt Jr. in time the Trade Federation will seize control of an important trade route in space. In case you're lost in the completely mind bending and diabolical plot...do not fret because the movie repeats this about a dozen times throughout it's course. You're bound to catch on the fourth or fifth time.

So there you have it...that's the movie...loop after loop...Star Wars: The Clone Wars. It just seems the writers didn't know what type of animated movie they wanted to make...whether it was for the "fan boys"of the franchise to tie them over until, maybe...maybe, they make another movie. Or was it for the younger audience, trying to recruit more "fan boys" to the cause? Either way, it's a failure to what "Star Wars" is.

I will mention a few positives though...the voicing done by the character sound very close to the real characters who played Obi-Wan and Anakin in the trilogies.

I realize what Lucas is trying to do with this movie...lead it up to a new animated series that will be on TV but....why make your loyal fans pay to see what you're going to be putting on television for free?

1.5 out of 5 stars...

Bark Marley Reviews Tropic Thunder!

I'll just preface this review with....

If you are easily offended, don't enjoy gore, or don't enjoy racial jokes....don't go see this movie...

with that said, let's get started...

The opening scenes of Tropic Thunder are probably some of the funniest I've seen in a long time in a movie...but there in lies the problem...the rest of the movie, while still being hilarious doesn't really live up to the opening statement. It leaves you thinking that the next scene is going to bust your gut...but it just never really happens like it does in the first 10 minutes of the film.

The film opens up introducing us to the Actors....and I don't mean Ben Stiller, Jack Black, and Robert Downey Jr....I'm talking about the actors they portray in the movie...Tugg Speedman (Stiller), Jeff Portnoy (Black), and Kirk Lazarus (Downey Jr.).

There are fake trailers to the different movies each "actor" has coming out in the near future...they open like Entertainment Style news clips. There's even an advertisement/commercial for an energy called "Booty Sweat" promoted by Alpa Cino (Brandon T. Jackson). Tugg Speedman is an action star who acted his way to an oscar win by playing a mentally retarded boy in a movie called "Simple Jack". Kirk Lazarus, who makes a career out of winning oscars for his different acting portrayals, the guy who is the more serious about his acting than the other two. Jeff Portnoy, who's character must have been based off of Jack Black in real life, is an out of control comedy actor who has made some movies that would make Eddie Murphy look like a comedic genius (the trailers are quite hilarious though).

We learn, very quickly, that all of the actors involved are spoiled beyond belief by their fans, media, and people that work with them. They are all signed on to do a movie called "Tropic Thunder" (yes, the film within the film is titled the same)...a Vietnam movie being shot in, you guessed it, Vietnam. The director is hard pressed to get all of his "A" List actors to Vietnam on time because they are already behind schedule even though they really haven't begun shooting...perhaps a plot hole?

In steps Nick Nolte, who the movie's experience is really based off of...he's been brought to the set as an adviser for the actors. He has the bright idea to drop the actors in the middle of the Jungle and leave them there, sort of an experience builder. What Nolte and the rest of the film's crew doesn't know is that they just dropped the actors into an area of Vietnam controlled by a violent drug lord who doesn't really like people dropping into his country unannounced.

The actors (if you don't know by now who I'm talking about, just stop reading) soon realize that this is not just another scene shoot, and that they are fighting for their lives and have to start shooting real bullets.

Right, so I'm not a huge fan of the "stupid-comedies" ala Will Ferrell movies, and this movie, while it has it's share of "silly" moments...it never gets down to the stupid level, which makes it a real success in my eyes. Perhaps the funniest thing about the movie is that the actors (the real ones, not the ones in the movie) are pretty much making fun of themselves...the exception being Ben Stiller who is pretty much making fun of Action Movie stars...because Ben Stiller has never done an action movie in his life.

This movies has some pretty heavy gore in spots, it will take you aback if you're not ready for it (see one scene where Stiller is holding a head). Ben Stiller is pretty funny, while Jack Black plays his annoying self he gets better as the movie carries on, and eventually he became my favorite comedian in the movie. Without a doubt though, Robert Downey Jr...who has seemed to resurrect his career this summer into one of the premier actors today, steals the show (just as he did Kiss, Kiss, Bang, Bang and Ironman). He's the white guy who undergoes a surgical operation to darken his skin so he can play a black man in the movie....comedic genius at it's finest.

Some of the funniest scenes come when Downey Jr's character, playing the black man, thinking he really IS black interacting with a real black man...hilarious. Other actors who make appearances are Tom Cruise (who is genuinely funny), Matthew McConaughey (really funny), and Toby Macguire (pretty funny). Cruise and McConaughey play rivaling agents for the actors. They don't have huge amounts of screen time but they make every second worth the money they were payed.

With the FAIL comedies of this summer...Tropic Thunder easily takes the cake of best comedy of the year. It will even likely knock The Dark Knight off of it's perch as the #1 movie in the nation.

Go see it.

4.5 out of 5 stars.

Tropic Thunder Review!

Review by Steve Rhodes who writes for Internet Reviews


Uneven and needlessly gross, TROPIC THUNDER still manages to elicit enough really big laughs to make it an easy film to recommend. Directed by Ben Stiller, it is a movie that is happiest when it is way, way, way over the top, which is where it operates most of the time.

The movie starts with a commercial for Booty Sweat energy drink followed by three great trailers: Scorcher VI, starring Tugg Speedman (Ben Stiller), The Fatties Part 2, starring Jeff Portnoy (Jack Black), and Satan's Alley, starring Kirk Lazarus (Robert Downey Jr.).

TROPIC THUNDER, with an Escher print of a plot, is about the making of a Vietnam War movie. This movie-within-a-movie is directed by Damien Cockburn (Steve Coogan) and stars the three actors from the above opening trailers.

Director Cockburn is losing control of his cast and crew as they film the movie on location in Vietnam. After a four million dollar explosion is set off without the cameras rolling, the director is called on the carpet by a take-no-prisoners studio exec named Les Grossman. In one of his best performances in years, Tom Cruise is absolutely hilarious as Grossman. Every time Cruise is on the screen, he is electric.

Matthew McConaughey is almost as good as Cruise. Playing Rick Peck, Speedman's tenacious agent, McConaughey does a spoof of Cruise's part in JERRY MAGUIRE. While everyone in the jungle is trying to stay alive, Peck, back in Hollywood, is the only man willing to go up against the vicious Grossman. Peck has discovered that Speedman has not gotten the TiVo that is specifically called for in his contract, so Peck is ready to move heaven and earth to ensure that Speedman has his own digital video recorder in the jungle.

The movie's big twist is that the director and the studio are so unhappy with the cast that they redesign the project so that it is a reality-based picture with hidden cameras all over the jungle. The jungle turns out to be infested with gun-toting opium farmers who don't realize that anyone is trying to make a movie. It all gets wackier and wackier as the story progresses.

Downey is terrific as Lazarus, but he gets so much into his character as a jive-talking black soldier that much of his dialog is indecipherable. What you can hear is quite funny. The best line comes when he explains to another actor that he stays completely in character until he has finished the commentary track for the DVD release. He also talks at length about the repression he has suffered as a black man, much to the annoyance of a fellow actor who is actually black, rather than just playing one.

One of Speedman's best episodes comes when he accidentally kills a panda. When he tries to explain it over the cell phone to his agent, his agent assumes that Speedman must have killed a prostitute called Amanda. Ah, what trouble a bad cell connection can get you into.

All of the actors are good. Only Black, who never does much other than fart, is something of a disappointment.

What the story does best is to ridicule actors and their methods. "My body may be shackled, but my mind wanders free," Speedman tells the heavily armed drug lords when they capture him. They think he's nuts, which he is.

But it falls to Cruise's character to really "explain" things to us. Speaking of Speedman, he tells his agent that Speedman is "a white knight heading for a black hole. That's physics. The universe is like that. You've got to get used to it."

TROPIC THUNDER runs 1:47. It is rated R for "pervasive language including sexual references, violent content and drug material" and would be acceptable for older teenagers.

My son Jeffrey, age 19, gave the film just **, although he admitted he laughed hard in parts and might like it better the second time he saw it. He said it was too disgusting, too profane and too hard to understand, especially Downey's dialog. He liked Cruise's character best. Jeffrey's girlfriend Yasmin, also 19, gave it ** 1/2. She thought Stiller was awesome as usual, and she liked Black's performance. But she thought the film was too gross and gruesome, and, overall, she just didn't like it much.

The film opens nationwide in the United States on Wednesday, August 13, 2008. In the Silicon Valley, it will be showing at the AMC theaters, the Century theaters and the Camera Cinemas.

Web: http://www.InternetReviews.com
Email: Steve.Rhodes@InternetReviews.com

New Theater Releases 8/15/2008

Tropic Thunder- Ben Stiller, Robert Downey Jr., Jack Black
Through a series of freak occurrences, a group of actors shooting a big-budget war movie are forced to become the soldiers they are portraying.











Star Wars: The Clone Wars (Animated)
As the Clone Wars sweep through the galaxy, the heroic Jedi Knights struggle to maintain order and restore peace.

















Mirrors- Kiefer Sutherland, Paula Patton
An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.


Vicky Christina Barcelona- Scarlett Johansson, Javier Bardem, Penelope Cruz
Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.

Fly Me To The Moon (Animated)-
Three young houseflies stow away aboard the Apollo 11 flight to the moon.

The Dark Knight Still on Top!

`Dark Knight' stays on top with $26M

By DAVID GERMAIN – 7 hours ago

LOS ANGELES (AP) — Batman was higher than Hollywood's newest pot heads.

"The Dark Knight" took in $26 million to finish as the No. 1 movie for the fourth straight weekend, beating the stoner comedy "Pineapple Express," which opened in second place with $22.4 million, according to studio estimates Sunday.

The weekend haul lifted the Warner Bros. Batman sequel to No. 3 on the all-time domestic box-office charts with $441.5 million, behind only "Titanic" ($600.8 million) and the original "Star Wars" ($461 million).

The last movie to remain No. 1 for four consecutive weekends was "The Lord of the Rings: The Return of the King" in late 2003 and 2004, according to box-office tracker Media By Numbers. That movie did it during a much slower time of year, with nowhere near the competition "The Dark Knight" has faced during Hollywood's busy summer season.

"It's almost unheard of. Summer doesn't usually afford films that much of a wide-open playing field," said Paul Dergarabedian, president of Media By Numbers.

"The Dark Knight" should surpass "Star Wars" to become No. 2 on the revenue chart by this coming weekend.

However, the numbers reflect today's higher admission prices, and "The Dark Knight" will not approach "Star Wars" or "Titanic" in terms of actual number of tickets sold. Taking inflation into account, "The Dark Knight" would need to pull in about $900 million to match the number of tickets sold for "Titanic" and about $1.2 billion to equal "Star Wars."

Even so, "The Dark Knight" has far outdone even its studio's expectations. Dan Fellman, head of distribution for Warner Bros., said he would have been happy if the movie simply exceeded the $205 million domestic total of its predecessor, "Batman Begins."

It should top out at $510 million to $520 million, Fellman said.

"It has taken on a life of its own, and in doing so got so much positive press and word of mouth that older audiences who normally don't rush out to see movies or maybe only see two, three movies a year are coming out in large numbers," Fellman said. "It's a question of `We've been reading about this for three, four weeks now. Let's go see what it's all about.'"

Since opening Wednesday, Sony's "Pineapple Express" had taken in $40.5 million. The action comedy stars Seth Rogen as a pot smoker on the run from crooks after he witnesses a murder, with his lovably clueless dealer (James Franco) in tow.

While "Pineapple Express" was unable to dislodge "The Dark Knight," Sony executives were happy with a strong No. 2 finish given the juggernaut the Batman flick has become.

"Quite frankly, it's nice to know that everything else is still kind of doing some business," said Rory Bruer, Sony head of distribution. "We're so very satisfied to be at $40 million-plus after five days. You couldn't ask for more."

The weekend's other wide release, the Warner Bros. sequel "The Sisterhood of the Traveling Pants 2," opened at No. 4 with $10.8 million, raising its total to $19.7 million since debuting Wednesday.

The movie reunites gal pals America Ferrera, Amber Tamblyn, Alexis Bledel and Blake Lively as the foursome whose friendship is reinforced by the worn pair of pants they share.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Media By Numbers LLC. Final figures will be released Monday.

1. "The Dark Knight," $26 million.

2. "Pineapple Express," $22.4 million.

3. "The Mummy: Tomb of the Dragon Emperor," $16.1 million.

4. "The Sisterhood of the Traveling Pants 2," $10.8 million.

5. "Step Brothers," $8.9 million.

6. "Mamma Mia!", $8.1 million.

7. "Journey to the Center of the Earth," $4.9 million.

8. "Hancock," $3.3 million.

9. "Swing Vote," $3.1 million.

10. "WALL-E," $3 million.

Box Office Results for the weekend of 8/8/08

1) The Dark Knight- $26 Million

2) Pineapple Express- $22 Million

3) The Mummy: Tomb of the Dragon Emperor- $16 Million

4) The Sisterhood of the Traveling Pants 2- $10 Million

5) Step Brothers- $9 Million

Just Missed It- Mamma Mia $8 Million

Pineapple Express Review!

Review by Michael Phillips who writes for the Chicago Tribune.

In its gleefully befogged first hour, " Pineapple Express" seems to be onto something new: It's a marijuana comedy that keeps shuffling genres, like a stoned blackjack dealer. James Franco is blissfully funny as Saul, the supplier who finds himself running for his barely cognizant life with steady customer Dale, played by Seth Rogen. Dale's a 25-year-old dating a high school senior. (He proudly sports a high school girl's wristwatch.) They're running because Dale witnessed a drug-related murder and then dropped a precious joint at the scene of the crime. Unsure whether they're in a comedy or a drama, Gary Cole and Rosie Perez play the ruthless criminals who want the witness dead. The film's title refers to a particularly rare and exquisite brand of weed.

At its sharpest, the script by Rogen and Evan Goldberg, who co-wrote "Superbad," recalls what made "Superbad" worth seeing: the sidewinding conversational riffs, the why-am-I-laughing? wordplay. When Dale explains to his dealer that he's a process server, he replies, "You're a servant? Like, a butler?" As written, that line could go either way, but Franco—fully invested in this doper's doper—makes it sing. It's tempting to say Franco knocks such stupid retorts out of the park, but that would imply a certain degree of focus and drive utterly lacking in Saul. Not since the cinematic cannabis heyday of Jeff Spicoli ("Fast Times at Ridgemont High," 1982) and "Withnail & I" (1987) has a fully baked stoner come to such worthy comic life on-screen.

Then, around the midpoint, "Pineapple Express" falls apart and keeps falling, and the comedy, spiced with considerable, unevenly effective violence in that first hour, goes out the window, and in comes all the gore and the bone-crunching. The director is David Gordon Green, who made one of my favorite films this year, "Snow Angels." His work (which includes the poetic "George Washington") has never been easily confined to one category or mood. But there's probably not a director alive who could make sense of this script's queasy blend of jokes and slaughter. Green shoots the fight sequences with rough edges and hand-held realism intact, and the realism is ... well, real. An early smackdown between Rogen and Danny McBride's belligerent idiot Red ends with the trashing of a perfectly good apartment; the scene grinds on well past its usefulness, and the injuries grow more wince-inducing, and before long you're thinking back on "Freebie and the Bean," another comedy that kept morphing into an accidental and deliberately acrid action picture.

For all that, Franco's on-screen rapport with Rogen is a fine thing. Certain lines keep coming back to me, lines that could've come only from truly talented writers. "Hey! I can see through my leg hole!" is one; Franco says it after he kicks through his own windshield during a vehicular chase sequence. Also, there's a throwaway bit with Franco attempting to buzz Rogen into his apartment that approaches perfection—the quintessence of pot humor, honoring the tradition of the "Dave's not here" routine (Cheech & Chong, for the uninitiated). "Pineapple Express" could care less about perfection; its mood swings and genre change-ups are deliberately messy. Few comedies recently have started so well and ended so poorly. Whether that first half is enough is entirely up to your receptivity to another pair of jolly Judd Apatow-sanctioned boy-men,taking time to smell the roses even as people are trying to kill them.

New Theater Releases for August 8th

Pineapple Express- Seth Rogen, James Franco
A stoner and his dealer are forced to go on the run from the police after the pothead witnesses a cop commit a murder.














The Sisterhood of the Traveling Pants 2-


















Hell Ride- Larry Bishop, Dennis Hopper Michael Madsen
The story deals with the characters Pistolero, the Gent and Comanche and the deadly, unfinished business among them.

New DVD's Week of Aug. 4

Nims Island- Jodie Foster, Abigail Breslin, Gerald Butler















Starship Troopers 3: Marauder

Box Office Results for Aug. 1st Weekend

#1) The Dark Knight- $43 million

#2) The Mummy: Tomb of the Dragon Emperor- $42 million

#3) Step Brothers- $16 million

#4) Mamma Mia- $12 Million

#5) Journey To The Center Of The Earth- $6 Million

Just Missed...Swing Vote- $5.9 million

http://www.blogger.com/post-create.g?blogID=6879377322869584784
Harry Potter and the Half Blood Prince Trailer

http://www.youtube.com/watch?v=JboQmDIdKWs
Max Payne movie trailer

http://www.youtube.com/watch?v=XikFVRSsSlk
High School Musical 3: Senior Year movie trailer

http://www.youtube.com/watch?v=YRw3AkbtJhQ
Terminator Salvation trailer

The Mummy: TOTDE Review!

Review By Peter Travers of Rolling Stone Magazine-

The new Mummy is, how can I put it? Just freakin' awful. The computerized action travels beyond cheese to the realm of the tackiest Velveeta. The first two Mummy movies were awful as well, but they were hits and rode on the unfakable charm of Brendan Fraser as Indiana Jones-in-training Rick O'Connell. The 2008 Mummy, directed by Rob Cohen, still has Fraser, though he looks understandably baffled. It's 1946 and suddenly he has a college-age son. Rick is still married to the feisty Evelyn, but now she's played by Maria Bello instead of Oscar winner Rachel Weisz. No one says a word. The location now is China, how timely given the upcoming Beijing Olympics. Listen, I can't go on. The plot is idiotic and everyone acts like major tools. The one star I plopped on this clunky bore-athon is due to the presence of the great Jet Li as the evil Dragon Emperor of the subtitle and the gorgeous Michelle Yeoh as Zi Yuan, a witch who's been on the Emperor¹s ass for over 2000 years. I could explain, but you wouldn't believe me. Nor should you. This Mummy belongs in a tomb with a stake in its heart or whatever it takes to make sure it won't rise again.

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PETER TRAVERS

(Posted: Jul 31, 2008)